There are several ways to plug in multiple pairs of studio monitors. One way is to use a mixer, which allows you to connect multiple devices and control their volumes independently. Another option is to use a monitor controller, which serves a similar function to a mixer but may be more expensive. Additionally, you can use a headphone distribution amplifier to connect multiple pairs of headphones to your studio monitors.
Characteristics | Values |
---|---|
Number of studio monitors | 2 or more |
Setup | Multiple sets of studio monitors |
Control | A/B switch, software control, monitor controller, mixer, headphone distribution amplifier |
Connection | XLR, TRS |
Compatibility | L6 Helix, SM ProAudio M-Patch2, Scarlett solo 2i2/4i4/8i8, Presonus Eris E3.5, Presonus Eris E5 |
What You'll Learn
Using a mixer
Firstly, connect your interface to one of the mixer's stereo channels. This will allow you to control the volume of the interface independently from the other devices. Next, connect your other devices, such as a guitar pedalboard or a new guitar unit, to separate channels on the mixer. This way, you can control the volume of each device individually.
Now, connect the outputs of the mixer to the studio monitors. This setup will enable you to direct monitor the guitar pedalboard without going through the interface. Additionally, you can record without any issues as the pedalboard is also connected to the interface.
Furthermore, a mixer is a cost-effective solution, especially when compared to a monitor controller, which serves a similar function. A small mixer with four to eight channels is usually more affordable and suitable for connecting two to three devices.
Overall, using a mixer to connect multiple pairs of studio monitors offers flexibility, convenience, and improved control over your audio setup.
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Using a monitor controller
Here's a step-by-step guide on how to set up and use a monitor controller:
- Choose a Monitor Controller: Select a monitor controller that suits your needs and budget. The Radial Nuance Select, for example, is known for its exceptional build quality and transparent sound. It features straightforward I/O and controls, making it perfect for understanding the signal flow of a multi-monitor setup.
- Connect the Monitor Controller to Your Interface: If your audio interface has multiple line outputs, you can connect each monitor directly. However, it's often better to send a single stereo line output from your interface to the monitor controller. For instance, you can connect output 1 and 2 from your interface to the monitor controller's Source 1 input.
- Connect Your Monitors: Instead of connecting your monitors directly to the interface, connect the controller's Speaker A output to your primary monitors and the Speaker B output to your secondary monitors. If you have a subwoofer, you can use the sub output on the monitor controller to connect it independently.
- Headphone Output: The monitor controller will usually have a dedicated headphone output, allowing you to connect your headphones and switch between different monitoring options seamlessly.
- Additional Inputs: Some monitor controllers offer additional inputs for other playback devices, such as turntables, or a second stereo output from the interface for monitoring a cue mix or reference track.
- Level Matching: Ensure that you match the loudness levels of your monitors. Play a sine tone (e.g., a 1 kHz tone) and use an SPL meter to adjust each set of monitors to output the same level. This step is crucial to ensure consistent monitoring across different speakers.
- Subwoofer Calibration: If you're using a subwoofer, make sure it's properly aligned with your monitors in terms of crossover frequency and overall level. Adjust the levels accordingly to avoid hurting the performance of the crossover.
- Fine-Tune with Music: While level matching with a sine tone is essential, it's also a good idea to fine-tune your calibration with actual music playing. This will help you account for the full frequency spectrum and ensure consistent levels across all your monitors from session to session.
By following these steps and using a monitor controller, you'll be able to seamlessly switch between different monitors, gain valuable insights into how your mix translates across various playback systems, and ultimately produce more reliable and professional-sounding mixes.
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Using a headphone distribution amplifier
To achieve this, you can connect a headphone distribution amplifier, such as the Behringer HA400, to your audio interface. This amplifier typically has multiple headphone inputs and outputs, enabling you to connect multiple pairs of headphones. Additionally, you can use a Y stereo jack adapter to connect your monitors to one of the headphone inputs on the amplifier. This setup gives you individual control over the volume of each device.
It is important to note that the amplifier provides a 12V output, which may not be suitable for your speakers. In such cases, you can opt for an active headphone distribution amplifier with dual balanced inputs and parallel outputs (LINK or THRU). This setup ensures that your monitors receive an unaffected signal, and you can still control the volume of your headphones.
Another option is to use a headphone distribution amplifier with multiple output channels, such as the Behringer HA8000. This amplifier features level meters on each channel and two stereo main inputs, allowing for more precise control over the audio output.
When setting up your headphone distribution amplifier, it is crucial to adjust the volume and equalizer settings appropriately. Start by turning down the volume and equalizer knobs on both the amplifier and your audio interface. Then, connect the audio interface to your computer and plug your studio monitors into the amplifier or directly into the audio interface, depending on whether they are passive or powered monitors. Finally, adjust the volume and EQ settings to achieve the desired sound quality.
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Using a headphone jack on older speakers
When connecting studio monitors to a laptop or PC without an audio interface, you will need a 3.5mm jack-to-2x XLR male cable. These cables are available in various lengths, and if the cable is not long enough, it can be extended using a regular microphone cable. You will need two, one for each speaker.
However, it is worth noting that computer line outs do not usually have the same audio quality as a dedicated audio interface, which offers higher-quality performance and more possibilities such as professional connection options. An audio interface has one or more input channels for external devices such as a synthesizer, guitar, or microphone. The standard inputs are 6.35mm TRS (1/4-inch) jack, XLR, or RCA. Your studio monitors can be connected to the 6.35mm jack or RCA outputs. Audio interfaces also have XLR outputs, which are more rugged than the other connector types.
If you are worried about sound quality, it is recommended to invest in a USB audio interface; these are available at various price points.
If you are connecting older speakers with a headphone jack, you can use a stereo-to-mono splitter cable to drive the left and right monitors. This type of cable is different from the more common full-stereo headphone splitters used to drive several pairs of headphones.
Some powered monitors only have XLR inputs, while others have TRS or RCA inputs, and some have various combinations of these. The cable used must "split" the two (left and right) channels on the 3.5mm headphone jack. It is recommended to wait until you have chosen your specific monitors before purchasing the splitter cable.
It is also important to note that true audio studio monitors do not have headphone jacks on their front panels.
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Using a monitor switcher
One popular monitor switcher is the SM ProAudio M-Patch2, which offers the ability to switch between two pairs of monitors, adjust the level, and even drive headphones when needed. This device is a cost-effective solution for those seeking a simple and convenient way to manage multiple pairs of studio monitors.
If you're looking for a more advanced setup, you might consider a monitor controller or a mixer. A monitor controller provides multiple inputs and allows for more intricate routing options while still offering the convenience of a compact form factor. On the other hand, a mixer, such as the Behringer MX602A, provides even more flexibility with multiple channels and various output options. With a mixer, you can connect your interface and other devices to different channels and route the signals to your studio monitors as needed.
When using a monitor switcher, it's important to consider the positioning of your speakers. If you have two sets of speakers, you might position them vertically, with the upper pair angled slightly downwards relative to the lower pair. This setup achieves a consistent subtended angle for each pair in the horizontal plane at the central listening position. Additionally, you can couple the lower pair of speakers to a centrally-positioned subwoofer with an in/out footswitch for added flexibility.
Another factor to keep in mind is the room acoustics. When adding a second pair of monitors to your setup, it becomes challenging to create two equilateral triangles—the ideal speaker setup with the listening position at the apex. As a result, one pair of speakers may need to be positioned slightly wider or narrower than the ideal equilateral arrangement, which can cause inaccuracies in the acoustic response. To mitigate this issue, consider the size of your studio and the placement of your speakers to optimise sound reflection and absorption for more accurate monitoring.
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Frequently asked questions
You can use a mixer or a monitor controller to plug in multiple pairs of studio monitors.
The Presonus Monitor Station 2 has 3 analogue inputs and an SPDIF input.
A small Behringer mixer.
First, run your interface into one of the stereo channels on the mixer. Then, run your guitar pedalboard into another channel on the mixer. Also, run a second output from the pedalboard to the interface. Finally, run the mixer outputs to the monitors.
You can use a headphone distribution amplifier.